| 公開日期 | 題名 | 作者 | 關聯 | scopus | WOS | 全文 |
| 2022 | Borderlands and Connectivity in the Flows: Music-making in the Thai-Myanmar Immigrant Community in Northern Taiwan | Tasaw Hsin-chun Lu | | | | |
| 2022 | Borderlands and Connectivity in the Flows: Music-making in the Thai-Myanmar Immigrant Community in Northern Taiwan | Tasaw Hsin-chun Lu | | | | |
| 2009 | Burmese Classical Music: An Introduction | Lu, Hsin-chun | FONTES ARTIS MUSICAE 56(3): 254-71 | | | |
| 2019 | Challenge, Compromise, and Cohesion: Transmitting Myanmar Hsaing-waing Music in A Taiwan’s World-Music Ensemble Class Setting | Hsin-chun Tasaw Lu | | | | |
| 2011 | Cohesion and Collision: The Politics of U Tin Yi’s Bi-Musicality Performance in Burma | Lu, Hsin-chun | | | | |
| 2007 | Constructing Musical Identity Among Burmese Classical Musicians in Burma and Its Diasporas | Lu, Hsin-chun | University of California, Los Angeles, Ethnomusicology, 250 p. | | | |
| 2022 | Constructing ‘Enchanted Golden Triangle’ through Music and Dance in a Yunnan Diasporic Community in Taiwan | Tasaw Hsin-chun Lu | | | | |
| 2009 | Crossing Over: Burmese Chinese Migrants, Diasporic Identity, and Burmese Pop | Lu, Hsin-chun | | | | |
| 2016 | Cultural Homogeneity, Embodied Empathy: Incorporating the Musical Pasts amongst Burmese Chinese Peoples Worldwide | Hsin-chun Tasaw Lu | Ethnomusicology Forum 25(1), 14-34 | | | |
| 2013 | Cultural Homogeneity, Embodied Empathy: Reconstructing the Musical Pasts amongst Burmese Chinese Peoples Worldwide | Lu, Hsin-chun | | | | |
| 2015 | Embodying Maoism: Diasporic Performances of a Sino-Burmese Music and Dance Troupe | Hsin-chun Tasaw Lu | | | | |
| 2017 | Embodying Maoism: Sino-Burmese Revolutionary Performance in Transnational Circulation | Hsin-Chun Tasaw Lu | The Drama Review | | | |
| 2016 | Embodying Maoism: Sino-Burmese Revolutionary Performance in Transnational Circulation | Hsin-chun Tasaw Lu | | | | |
| 2012 | Ethnic Festivalization, Subversion, and Intersubjectivity: The Burmese ‘Twin Water Festivals’ in Taiwan | Lu, Hsin-chun Tasaw | | | | |
| 2018 | “Experience Macau, Touching Moments”: Burmese Music and Dance Performances, Identity Negotiation, and City Tourism in Macau. | Hsin-chun Tasaw Lu | | | | |
| 2021 | Experiencing the "Enchanting Golden Triangle" through Music and Dance in a Yunnan Diasporic Community in Taiwan | Tasaw Hsin-chun Lu | Resounding Taiwan: Musical Reverberation Across A Vibrant Island (New York : Routledge) | | | |
| 2022 | Festival as Ritual and Ritual in Festival: Inventing ‘Exotic Borderlands’ in a Yunnanese Community in Northern Taiwan | Tasaw Hsin-chun Lu | Religious Sounds Beyond the Global North: Senses, Media and Power (Amsterdam, Netherlands : Amsterdam University Press) | | | |
| 2006 | Festivalizing Thingyan, Negotiating Ethnicity: Politics and Performance in a Burmese Community in Taiwan | Lu, Hsin-chun | | | | |
| 2008 | Festivalizing Thingyan, Negotiating Ethnicity: Politics and Performance in a Burmese Community in Taiwan | Lu, Hsin-chun | Journal of Burma Studies 12:29-62 | | | |
| 2009 | Identity Construction through Personal Narratives: A Burmese Migrant Woman in Taiwan | Lu, Hsin-chun | | | | |
