Results 1-18 of 18 (Search time: 0.014 seconds).
| Issue Date | Title | Author(s) | Relation | scopus | WOS | Fulltext/Archive link | |
|---|---|---|---|---|---|---|---|
| 1 | 2007 | 陰陽顛倒、陰盛陽衰與“陰錯陽差”？--論托卡列娃作品裡俄國兩性特質與性格的變化 | 陳相因 | 俄羅斯文學的傳統與創新 (台北 : 國立政治大學) | |||
| 2 | 2009 | 評阿理克的《中國〈詩品〉—論詩人司空圖(837-908):附中文文本的翻譯與研究》 | 陳相因 | 漢學研究通訊, 28卷，1期 | |||
| 3 | 2016 | 聶隱娘的前世今生 : 侯孝賢與他的刺客聶隱娘 | 陳相因 ; 陳思齊 | 台北市 | |||
| 4 | 2020 | 瘋狂的進行曲─魯迅狂人系譜學蠡探 | 陳相因 | 戰爭、傳統與現代性：跨文化流派爭鳴 (台北市 : 中央研究院中國文哲所) | |||
| 5 | 2020 | 戰爭、傳統與現代性：跨文化流派爭鳴 | 陳相因主編 | 台北市 | |||
| 6 | 2020 | 左翼文藝的世界主義與國際主義 : 跨文化實例研究 | 陳相因 | 台北市 | |||
| 7 | 2016 | 導論：照見五蘊、六感與七竅－看懂聶隱娘的重要性 | 陳相因 | 聶隱娘的前世今生－侯孝賢與他的刺客聶隱娘 (台北 : 時報) | |||
| 8 | 2020 | 導論：左翼文藝的世界主義與國際主義沿革 | 陳相因 | 左翼文藝的世界主義與國際主義：跨文化實例研究 (臺北 : 中研院中國文哲研究所) | |||
| 9 | 2016 | 孤獨與邊緣的美學 | 陳相因 | 聶隱娘的前世今生 : 侯孝賢與他的刺客聶隱娘 (臺北 : 時報文化) | |||
| 10 | 2019 | 不瘋魔、不成活：「以俄為師」---被錨定的現代性 | 陳相因 | 五四@100：文化，思想，歷史 (新北市 : 聯經出版社) | |||
| 11 | 2020 | 「不可能的愛欲」與「愛欲的不可能」：論《色｜戒》中的「上海寶貝／淑女」 | 陳相因 | 從張愛玲到李安：論色戒 (新北 : 聯經出版) | |||
| 12 | 2009 | Духовная культура Китая: Литература. Язык и письменность. Энциклопедия в пяти томах, т. 3 | 陳相因 | 中國文哲研究集刊, 34, 336-344 | |||
| 13 | 2009 | The Origin of the Family, Public Property and the Communist State：Transmitting and Translating Kollontai in the early Soviet Union and the May Fourth China | Chen, Hsiang-yin Sasha | China and It's Others: Three Centuries of Transforming Knowledge through Translation and Cultural Exchange between China and Europe (Amsterdam : Rodopi) | |||
| 14 | 2011 | The Origin of the Family, Public Property and the Communist State: Transmitting and Translating Kollontai in the Early Soviet Union and May Fourth China | Chen, Sasha Hsiang-yin | China and Its Others: Knowledge Transfer Through Translation, 1829-2010 (Amsterdam/New York, NY : Rodopi) | |||
| 15 | 2008 | The Initiation and Translation of ‘A Superfluous Man’ in China: Construction and Deconstruction of Early Qu Qiubai | Chen, Hsiang-Yin Sasha | Проблемы литератур дальнего востока (Санкт-Петербург聖彼得堡 : СПбГУ聖彼得堡大學) | |||
| 16 | 2020 | Russia as Master and Monster: Absorbing GOGOL’s Madness and the Chinese “Little Tradition” in the Prose of LU Xun | Chen, Sasha Hsiang-Yin | Chinese Perceptions of Russia and the West: Changes, Continuities, and Contingencies during the Twentieth Century (Heidelberg : CrossAsia) | |||
| 17 | 2014 | Eros Impossible and Eros of the Impossible in Lust/Caution: the Shanghai Lady/Baby in the Late 1930s and the Early 1940s | Chen, Sasha Hsiang-Yin | From Eileen Chang to Ang Lee: Lust/Caution(London and New York : Routledge) | |||
| 18 | 2023 | Chapter three: A Song not for Dancing: Translation, Adaptation and Poetics in Soviet, Taiwanese and Mainland Chinese Rock Music of the 1980s | Hsiang-Yin Sasha Chen | The Bloomsbury Handbook of Modern Chinese Literature in Translation (London : Bloomsbury Publishing) |
