| Issue Date | Title | Author(s) | Relation | scopus | WOS | Fulltext/Archive link |
| 2021 | Was ist chinesische Philosophie? Kritische Perspektiven | Fabian Heubel | Hamburg | | | |
| 2001 | Was ist chinesische Philosophie? Kritische Perspektiven | Fabian Heubel | Hamburg | | | |
| 2014 | Ways - more than arts. On critique as exercise | Fabian Heubel | | | | |
| 2020 | Weisheng : on western medicine and other ancient texts edited and printed by Ye Dehui | Liu, Yuan-ju | Rivista degli Studi Orientali (Journal of Oriental Studies, RSO) xciii, 93-111 | | | |
| 2010 | Western Calssicism, Confucianism, and Christianity: The Imagination of an Ideal Man in Alfonso Vagnoni's Illustrations of the Grand Dao | Li, Sher-Shiueh | | | | |
| 1995 | What do we see? An Essay on Dignāga’s Concept of the Object of Perception | Ho, Chien-hsing | University of Delhi. Department of Philosophy | | | |
| 2000 | Whence and Whither the Postmodern/Post-Mao-Deng: Historical Subjectivity and Literary Subjectivity in Modern China | Yang, Xiaobin | Postmodernism and China (Durham : Duke University Press) | | | |
| 2013 | Why Things are (Moving and) not Moving in Time: Sengzhao on Change | Ho, Chien-hsing | | | | |
| 2020 | Within the Spinning Stillness of the Present: Reflections on Transcultural Zhuangzi-Studies in Taiwan | Fabian Heubel | Asian Studies 8(3), 211-230 | | | |
| 2008 | Woman as Metaphor: How Lust/ Caution Re/Deconstructs History | Peng, Hsiao-Yen | | | | |
| 2014 | Woman as Metaphor: How Lust/Caution Re/deconstructs History | Peng, Hsiao-yen | From Eileen Chang to Ang Lee: Lust/Caution. (London and New York : Routledge) | | | |
| 2002 | Women and Historical Revisionism: City of Sadness | Peng, Hsiao-Yen | | | | |
| 1993 | Women’s Struggle for Self-liberation in Republican China: A Study of Three Female Writers | Peng, Hsiao-Yen | | | | |
| - | Wong Kar-wai’s Mood Trilogy: Robot, Tears, and the Affective Aura | Peng, Hsiao-yen | Altering Archives: The Politics of Memory in Image Production and Sinophone Cinemas (London and New York : Routledge) | | | |
| 2017 | Wong Kar-wai’s Mood Trilogy: Robot, Tears, and the Affective Aura | Peng, Hsiao-yen | The Politics of Memory in Sinophone Cinemas and Image Culture: Altering Archives. ( London and New York : Routledge) | | | |
| 2024 | Worldly Indeterminacy and the Provisionality of Language | Chien-hsing Ho | Australasian Journal of Philosophy | | | |
| 1996 | Writing Identity: Seven Decades of Taiwan Literature | Peng, Hsiao-Yen | | | | |
| 2003 | Xiong Shili’s Metaphysical Theory about the Non-Separability of Substance and Function | Ng, Yu-Kwan | New Confucianism: A Critical Examination (Palgrave Macmillan, New York) | | | |
| 2003 | “You Must Remember This . . . : Exile and Memory in Wu Zhaoqian, Spring 1661” | Yim, Lawrence | | | | |
| 2011 | Yuyan as Allegory/Prophecy: Visions of Ruin in Post-Misty Poetry | Yang, Xiaobin | NTU Studies in Language and Literature 25 (June 2011) | | | |
