| 公開日期 | 題名 | 作者 | 關聯 | scopus | WOS | 全文 |
| 1 | 2012 | 身體作為文化記憶或技藝？--緬華的聆聽經驗與文化展演政治 | 呂心純 | | | | |
| 2 | 2019 | 超有感/無感：樂舞身體及跨文化理解 | 呂心純 | | | | |
| 3 | 2021 | 華麗轉身：桃園雲南打歌的邊區文化展演政治 | 呂心純 | | | | |
| 4 | 2021 | 緬甸古典音樂中的撣傣蹤跡 | 呂心純 | | | | |
| 5 | 2002 | 當代緬甸樂器Saung-gauk之歷久彌新：以象徵意義作為探討對象 | 呂心純 | | | | |
| 6 | 2011 | 『異地』 或『在地』風格？官版與緬華版潑水節歌舞展演的多重主體發聲 | 呂心純 | | | | |
| 7 | 1999 | 淺析唐代驃國獻樂的意義﹣以「新唐書」『南蠻傳』為主要探討對象 | 呂心純 | | | | |
| 8 | 2017 | 形構觀光「異域」：龍岡米干節的歌舞展演與邊區文化想像 | 呂心純 | | | | |
| 9 | 2010 | 差異的展演性：仰光緬甸華僑的公共音景繪製與鄉愁展演 | 呂心純 | | | | |
| 10 | 2012 | 多元自我與互為主體性:一位緬甸古典音樂家的音樂自我建構 | 呂心純 | | | | |
| 11 | 2011 | 另一種鄉愁：多點域緬甸華人在音樂實踐中的時空建構 | 呂心純 | | | | |
| 12 | 2022 | 全球音樂史思維下的多元觀點與方法_圓桌會議 | 呂心純 | | | | |
| 13 | 2010 | Transnational Music Remaking and Home Reidentifying: Chinese Migrant Singers in Burmese Pop | Lu, Hsin-chun | | | | |
| 14 | 2008 | The Soundscapes of Ethnic Chinese in Rangoon between 1948 and 1988 | Lu, Hsin-chun | | | | |
| 15 | 2019 | The Construction of the “Enchanted Golden Triangle” through Music and Dance in a Yunnan Diasporic Community in Taiwan | Hsin-chun Tasaw Lu | | | | |
| 16 | 2020 | Sounding ‘Exotic Borderlands’: Ritual Embodiment in a Yunnanese Tourist Festival in Northern Taiwan | Tasaw Hsin-chun Lu | | | | |
| 17 | 2012 | Song Covers as Hidden Transcripts: Negotiating Identity and Reidentifying Home amongst Burmese Chinese Singers | Lu, Tasaw Hsin-chun | | | | |
| 18 | 2009 | Sino-Burmese in Yangon: Soundscapes Formation and Its Politics | Lu, Hsin-chun | | | | |
| 19 | 2012 | Recollecting the Red Past, Glorifying the New Present: Musical Narratives and Performances among the pro-CCP Burmese Chinese in Rangoon | Lu, Hsin-chun Tasaw | | | | |
| 20 | 2010 | Performativity of Difference: Mapping Public Soundscapes and Performing Nostalgia among Burmese Chinese in Central Rangoon | Lu, Hsin-chun | | | | |
| 21 | 2009 | Nan-chi-chao No. 7: Transnationality and Localization of the Sino-Burmese Soundscapes in Jhong-he | Lu, Hsin-chun | | | | |
| 22 | 2010 | Music as Social Space: Constructing Ethnic Soundscapes in a Sino-Burmese Community in Jhong-he, Taiwa | Lu, Hsin-chun | | | | |
| 23 | 2017 | Museum Exhibitions as Alternative Way of Building Ethnomusicological Knowledge | Hsin-chun Tasaw Lu | | | | |
| 24 | 2012 | Multiple Selves and Intersubjectivity: Constructing Musical-self of a Burmese Classical Musician in Rangoon | Lu, Hsin-chun Tasaw | | | | |
| 25 | 2022 | 'Making Sense’ of the Taipei Metro’s Soundscape Program | Tasaw Hsin-chun Lu | | | | |
| 26 | 2013 | Listening Sensory, Bodily Memory, and the Politics of Cultural Performances among the Burmese Chinese in Rangoon 論文是否經過審查 | Lu, Hsin-chun | | | | |
| 27 | 2006 | Kyaw Kyaw Naing Meets the APPEX: A Burmese Musician's Representation and Advocacy in the Postmodern West | Lu, Hsin-chun | | | | |
| 28 | 2010 | Isolationism and Simplicity as Resistance: An Analysis of a Burmese Classical Musician’s Self-Narrative | Lu, Hsin-chun | | | | |
| 29 | 2016 | Intercultural Negotiation and Reconciliation: The Sino-Myanmar Festival Performances in Macau | Hsin-Chun Lu | | | | |
| 30 | 2009 | Identity Construction through Personal Narratives: A Burmese Migrant Woman in Taiwan | Lu, Hsin-chun | | | | |
| 31 | 2006 | Festivalizing Thingyan, Negotiating Ethnicity: Politics and Performance in a Burmese Community in Taiwan | Lu, Hsin-chun | | | | |
| 32 | 2018 | “Experience Macau, Touching Moments”: Burmese Music and Dance Performances, Identity Negotiation, and City Tourism in Macau. | Hsin-chun Tasaw Lu | | | | |
| 33 | 2012 | Ethnic Festivalization, Subversion, and Intersubjectivity: The Burmese ‘Twin Water Festivals’ in Taiwan | Lu, Hsin-chun Tasaw | | | | |
| 34 | 2016 | Embodying Maoism: Sino-Burmese Revolutionary Performance in Transnational Circulation | Hsin-chun Tasaw Lu | | | | |
| 35 | 2015 | Embodying Maoism: Diasporic Performances of a Sino-Burmese Music and Dance Troupe | Hsin-chun Tasaw Lu | | | | |
| 36 | 2013 | Cultural Homogeneity, Embodied Empathy: Reconstructing the Musical Pasts amongst Burmese Chinese Peoples Worldwide | Lu, Hsin-chun | | | | |
| 37 | 2009 | Crossing Over: Burmese Chinese Migrants, Diasporic Identity, and Burmese Pop | Lu, Hsin-chun | | | | |
| 38 | 2022 | Constructing ‘Enchanted Golden Triangle’ through Music and Dance in a Yunnan Diasporic Community in Taiwan | Tasaw Hsin-chun Lu | | | | |
| 39 | 2011 | Cohesion and Collision: The Politics of U Tin Yi’s Bi-Musicality Performance in Burma | Lu, Hsin-chun | | | | |
| 40 | 2019 | Challenge, Compromise, and Cohesion: Transmitting Myanmar Hsaing-waing Music in A Taiwan’s World-Music Ensemble Class Setting | Hsin-chun Tasaw Lu | | | | |
| 41 | 2022 | Borderlands and Connectivity in the Flows: Music-making in the Thai-Myanmar Immigrant Community in Northern Taiwan | Tasaw Hsin-chun Lu | | | | |
| 42 | 2022 | Borderlands and Connectivity in the Flows: Music-making in the Thai-Myanmar Immigrant Community in Northern Taiwan | Tasaw Hsin-chun Lu | | | | |
