Academia Sinica / Division of Humanities and Social Sciences / Institute of Ethnology

Lu, Hsin-Chun

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	Issue Date	Title	Author(s)	Relation	scopus	WOS	Fulltext/Archive link
1	2009	Burmese Classical Music: An Introduction	Lu, Hsin-chun	FONTES ARTIS MUSICAE 56(3): 254-71
2	2016	Cultural Homogeneity, Embodied Empathy: Incorporating the Musical Pasts amongst Burmese Chinese Peoples Worldwide	Hsin-chun Tasaw Lu	Ethnomusicology Forum 25(1), 14-34
3	2017	Embodying Maoism: Sino-Burmese Revolutionary Performance in Transnational Circulation	Hsin-Chun Tasaw Lu	The Drama Review
4	2008	Festivalizing Thingyan, Negotiating Ethnicity: Politics and Performance in a Burmese Community in Taiwan	Lu, Hsin-chun	Journal of Burma Studies 12:29-62
5	2011	Performativity of Difference: Mapping Public Soundscapes and Performing Nostalgia among Burmese Chinese during 1949 and 1988 in Central Rangoon	Lu, Hsin-chun	ASIAN MUSIC 42(2), 19-55
6	2019	Politics and Tactics in Revolutionary Performance: A Sino-Burmese Arts Troupe in Transnational Circulation	Hsin-chun Tasaw Lu	Asian Theatre Journal 36(2), 370-394
7	2009	Shaping Asian-Pacific Subjectivity in Cross-cultural Music Collaboration: An Asian-American Perspective	Lu, Hsin-chun	台灣音樂研究 9: 129-157
8	2019	形構「魅力金三角」：龍岡雲南社群的歌舞展演與邊區文化想像	呂心純	台灣音樂研究
9	2018	時空流轉下的緬華革命樂舞	呂心純	考古人類學刊第88期，頁35-81
10	2021	界域的文化動能：冷戰前期仰光唐人街的電影跨國網絡及其影響	呂心純	民俗曲藝第213期，頁1-47
11	2016	跨文化表演的研究途徑：台灣一場緬甸音樂表演的互為主體與多點民族誌研究	呂心純	民俗曲藝 193，頁11-62
12	2011	音樂作為一種離散社會空間：台灣中和地區緬甸華僑的音景與族裔空間建構	呂心純	民俗曲藝 171，頁1-61