| 公開日期 | 題名 | 作者 | 關聯 | scopus | WOS | 全文 |
| 1 | 2015 | 近史所一甲子：同仁憶往錄(下) | 李宇平 ; 李達嘉 ; 王正華 ; 連玲玲 ; 林志宏 ; 溫禎文; 林蘭芳; 鄭麗榕主訪; 周維朋; 溫禎文; 王超然; 簡金生; 林敬智; 林蘭芳; 鄭麗榕; 劉世溫紀錄 | 台北市 : 中央研究院近代史研究所 | | | |
| 2 | 2014 | A Global Perspective on Eighteenth Century Art and Visual Culture | Cheng-hua Wang | ART BULLETIN vol. 96, no. 4, pp. 373-88 | | | |
| 3 | 2013 | A New Paradigm of Qingming shanghe: Qianlong’s Agenda for Court Collaborative Paintings | Wang, Cheng-hua | | | | |
| 4 | 2013 | The Rise of City Views in Late Ming China | Wang, Cheng-hua | | | | |
| 5 | 2013 | New Printing Technology and Heritage Preservation: Collotype Reproduction of Antiquities in Modern China, Circa 1908-1917 | Wang, Cheng-hua | The Role of Japan in Modern Chinese Art (Berkeley : University of California Press) | | | |
| 6 | 2013 | Luo Zhenyu and the Formation of Qiwu (Antiquities) and Qiwuxue (the Studies of Antiquities) in the First Decade of the Republican Era | Wang, Cheng-hua | Lost Generation: Luo Zhenyu, Qing Loyalists and the Formation of Modern Chinese Culture (London : EAP in conjunction with the Department of History of Art, University of Edinburgh) | | | |
| 7 | 2012 | Beijing as Imperial Theater: A Cross-Cultural Perspective on the Images of Qianlong's Eightieth Birthday Celebration | Wang, Cheng-hua | | | | |
| 8 | 2012 | 城市與視覺商品：十八世紀蘇州版畫的商業面向 | 王正華 | | | | |
| 9 | 2012 | 走向「公開化」：慈禧肖像的風格形式、政治運作與形象塑造 | 王正華 | 國立臺灣大學美術史研究集刊 第32期，頁239-316 | | | |
| 10 | 2012 | 晩明「清明上河図」考ーその都市性をめぐって | 王正華 | 「清明上河図」と徽宗の時代ーそして輝きの残照 (東京 : 勉誠出版社) | | | |
| 11 | 2012 | Luo Zhenyu and the Formation of Qiwu and Qiwuxue in the 1910s | Wang, Cheng-hua | The Lost Generation: Qing Loyalists and the Cultural Production of the Early Twentieth Century (Edinburgh : University of Edinburgh Press) | | | |
| 12 | 2011 | 作為政治舞台的北京城：《日月合壁五星聯珠圖》的研究 | 王正華 | | | | |
| 13 | 2011 | 羅振玉的收藏與出版：「器物」、「器物學」在民國初年的成立 | 王正華 | 國立臺灣大學美術史研究集刊 第31期，頁277-320 | | | |
| 14 | 2011 | Global and Loca: European Stylistic Elements in Eighteenth Century Chinese Cityscapes | Wang, Cheng-hua | | | | |
| 15 | 2011 | 藝術、權力與消費：中國藝術史研究的一個面向 | 王正華 | 杭州 | | | |
| 16 | 2011 | In the Name of the Nation: Song Painting and Artistic Discourse in Early Twentieth Century China | Wang, Cheng-hua | A companion to Asian Art and Architecture (West Sussex : Blackwell Publishung Ltd.) | | | |
| 17 | 2010 | My Life, My Reign, and My Empire: Beijing and Images of Qianlong's Eightieth Birthday Celebration | Wang, Cheng-hua | | | | |
| 18 | 2010 | Some Observations on the Business Practices of Eighteenth Century Suzhou Prints | Wang, Cheng-hua | | | | |
| 19 | 2010 | The Qing Imperial Collection Circa 1905-25: National Humiliation Heritage Preservation and Exhibition Culture | Wang, Cheng-hua | Reinventing the Past: Archaism and Antiquarianism in Chinese Art and Visual Culture (Chicago : The Center for the Art of East Asia, University of Chicago) | | | |
| 20 | 2009 | Costumes and Customs, Males and Females: Representing Peoples and Places at the Court of Emperor Qianlong (r. 1735-96) | Wang, Cheng-hua | | | | |
| 21 | 2009 | Capital as Political Stage: The 1761 Syzygy in Image | Wang, Cheng-hua | | | | |
| 22 | 2008 | A New Vision of Urbanism: Western Elements in Chinese Cityscapes of the Qianlong Period (1736-95) | Wang, Cheng-hua | | | | |
| 23 | 2008 | Luo Zhenyu, His Collection, and the Categorical Formation of Qiwu in the 1910s | Wang, Cheng-hua | | | | |
| 24 | 2007 | Trapped: A Northern Song Painting | Wang, Cheng-hua | The Art Bulletin 486-495 | | | |
| 25 | 2007 | Art and Urban Culture in Early Modern China: Cityscapes and Related Issues | Wang, Cheng-hua | 図像・民具・景観-非文字資料から人類文化を読み解く（神奈川大学21世紀COEプログラム シンポジウム報告4：人類文化研究のための非文字資料の体系化第2回国際シンポジウム專刊） 98-123 | | | |
| 26 | 2007 | Qing Loyalists and the Transformation of Traditional Cultural Practices in Early Republican China | Wang, Cheng-hua | | | | |
| 27 | 2006 | Art and Urban Culture in Early Modern China: Cityscapes and Related Issues | Wang, Cheng-hua | | | | |
| 28 | 2006 | The Qing Imperial Collection, Circa 1905-25: Emotions, Ideas, and Events | Wang, Cheng-hua | | | | |
| 29 | 2005 | 乾隆朝蘇州城市圖像：政治權力、文化消費與地景塑造 | 王正華 | 中央研究院近代史研究所集刊 第50集，頁115-184 | | | |
| 30 | 2005 | Collotype Reproductions of Antiquities in Early Twentieth-Century China: Technological Competition, Exhibitionary Culture, and Cultural Preservation | Wang, Cheng-hua | | | | |
| 31 | 2005 | 過眼繁華：晚明城市圖、城市觀與文化消費的研究 | 王正華 | 中國的城市生活 (台北 : 聯經出版公司) | | | |
| 32 | 2004 | Song Painting in Modern China: Art and the Sense of Cultural Crisis | Wang, Cheng-hua | | | | |
| 33 | 2004 | 清末民初「古物」的發現、展示文化與國族意識 | 王正華 | | | | |
| 34 | 2003 | Imperial Treasures, Art Exhibitions, and National Legacy: The Institute for Exhibiting Antiquities in the 1910s | Wang, Cheng-hua | | | | |
| 35 | 2003 | 生活、知識與文化商品：晚明福建版「日用類書」與其書畫門 | 王正華 | 中央研究院近代史研究所集刊 第41期，頁1-85 | | | |
| 36 | 2003 | 呈現「中國」：晚清參與1904年美國聖路易萬國博覽會之研究 | 王正華 | 畫中有話：近代中國的視覺表述與文化構圖 (台北 : 中央研究院近代史研究所) | | | |
| 37 | 2002 | 女人、物品與感官慾望：陳洪綬晚期人物畫中江南文化的呈現 | 王正華 | 近代中國婦女史研究 第10期，頁1-57 | | | |
| 38 | 2002 | Art in Daily Life: Knowledge and Practice in Late-Ming Riyong Leishu | Wang, Cheng-hua | | | | |
| 39 | 2002 | The Qianlong Emperor and His Legacy: The National Palace Museum’s 2002 October Exhibition | Wang, Cheng-hua | Orientations 33(8), 60-68 | | | |
| 40 | 2001 | 藝術史與文化史的交界：關於視覺文化研究 | 王正華 | 近代中國史研究通訊 第32期，頁76-89 | | | |
| 41 | 2001 | Presenting the Empress Dowager to the World: Cixi’s Images and Self-fashioning in Late-Qing Politic | Wang, Cheng-hua | | | | |
| 42 | 2001 | 從陳洪綬的〈畫論〉看晚明浙江畫壇：兼論江南繪畫網絡與區域競爭 | 王正華 | 區域與網絡：近千年來中國美術史研究國際學術研討會論文集 (台北 : 國立臺灣大學藝術史研究所) | | | |
| 43 | 1999 | Rethinking the Shijing Scrolls: Text, Images, and Ideology | Wang, Cheng-hua | | | | |
| 44 | 1998 | Material Culture and Emperorship: The Shaping of Imperial Roles at the Court of Xuanzong (r. 1426-1435) | Wang, Cheng-hua | Yale University, Department of the History of Art, 400 p. | | | |
| 45 | 1998 | 《聽琴圖》的政治意涵：徽宗朝院畫風格與意義網絡 | 王正華 | 國立台灣大學美術史研究期刊 5期，頁77-122 | | | |
| 46 | 1997 | 傳統中國繪畫與政治權力：一個研究角度的思考 | 王正華 | 新史學 第8卷第3期，頁161-216 | | | |
| 47 | 1989 | 沈周《夜坐圖》研究 | 王正華 | 國立台灣大學, 歷史學研究所中國藝術史組 | | | |
| 48 | - | Song Painting in Modern China: Artistic Discursive Practice in Early Twentieth Century China | Wang, Cheng-hua | Artibus Asia | | | |
